The Dust of the Buddha

March 8, 2001

By Lea Goode-Harris ©

 

An incident last night prompted me once again take the time to write a story that's been waiting to be told. I was preparing for bed and saying my prayers. While lighting my candle, the tiny match flew out of my hand and landed on my altar tray, right on the small plastic bag that contains the pieces of the sandstone Buddha that Elaine brought back to us from her trip to Thailand. Some of us received black sandstone, others white sandstone. Some were whole, some broken, and some pulverized from the journey they undertook to reach us. Elaine had listened inwardly as to which packet was to go to which person in the group. The match had burned a perfect hole in my little plastic bag, just the size for the broken bits and dust particles to begin to escape. I went and got a small bowl to hold these pieces until I was clear as to what I was to do with them. I then remembered my first prompting to write this story.

 

That prompting came last Friday after my woman's group. My husband pointed out to me a newspaper article in the morning paper. It read, Taliban moves to destroy statues: Afghanistan government ignores international outcry. The article went on to say that the Afghanistan government had ruled that all pre-Islamic statues and images were to be destroyed as they are contrary to the tenets of Islam which forbids images, such as paintings and pictures. The demolition of all statues included an estimated 6,000 pieces of Buddhist art in the Kabul Museum. Two of the many targeted statues are of the Buddha carved into a mountainside and are the largest in the world, dating from the 3rd and 5th century.

 

As a lover of ancient things I was astounded that this could happen in our modern era. I was outraged, sad, and felt powerless to stop this senseless destruction. The world of the Buddha was all the closer to me, because of my friendship and labyrinth work with therapist Alyssa Hall, M.F.T. Alyssa has invited me numerous times to join herself and Robert Hall, M.D. in assisting them with day long retreats at the Spirit Rock Zen Meditation Center in Woodacre, California. This Vipassana sitting retreat incorporates intervals of walking labyrinths in silent contemplation. The most recent retreat had occurred the Sunday before.

 

I arrived early on that blustery and rainy February morning to find the labyrinths already set up by Alyssa and Katherine from the night before. There was something different this time. The room was full of more than just labyrinths. Buddha statues, female and male graced the tables, the window ledges, and the speaking stand. At the top of each of the four labyrinths Alyssa and Katherine had created altars with four different statues of the Great Feminine. I don't even know all of their names, just that I knew I was in the presence of many precious beings from India, Tibet, Thailand, as well as other corners of the Buddhist and Christian world. I had brought a bucket of Camellias from my neighbor's yard. These fiery pink and red blossoms with yellow centers found themselves tucked around statues at the bases, in the crooks of arms and knees, and at the entrance to each labyrinth.

 

The room was beautiful. This beauty opened eagerly to the people who were coming to spend the day in inward contemplation. With the participants sitting, walking, gazing, and reflecting inwardly the room deepened and became even more beautiful. I watched a particular Buddha on a window ledge, lean forward to look into a potted plant with curiosity and earnest contemplation. Just what did he see in there? I bent down to join him in his gaze and found a miniature world, waiting to be explored. Outside, behind the Buddha, the weather ranged from torrential downpours to gentle sunlight catching water diamond droplets that draped lush green foliage nestled in dark wood. The room was warm and quiet, with the swish, swish of feet across the labyrinth canvases, and simultaneously full of unheard sound and conversation. I breathed in the beauty and felt the stirrings of tears. I opened my heart to these feelings, the intensity in the room, and felt the hot, salty tears move through me to be soaked up by the numinosity of the day.

 

East and West, old and new, met in contemplation of movement and stillness that day. I will not forget the Buddhas, Ganeshas, the Lakshmis and Green Taras, and other statues with many arms and hands, poised in tiny mudras. I see the turtles and the dragons, the closed and open lotuses, and A Thousand Joys and A Thousand Sorrows spilling across purple silk in plain metal and others with gilt of gold and silver. I see dancing tankas with Medicine Buddhas and Wrathful Deities. I will not forget the wonder in people's eyes, the tears, the joy, and their personal stories interweaving with all present that day.

 

Today, I see military personnel gearing up their missiles for target practice on the ancient Buddha statues of Afghanistan. Missiles scream and the target is hit sending billowing particles of sandstone out into the atmosphere. Statue and mountain side crumble and the earth shakes. I see these particles tumbling through the air, dusting the soldiers, their equipment, their jeeps and tanks. Some particles find their way into airways breathing deeply of the hot and arid desert air, making their way into the nooks and crannies of heart and brain. I see an angry mob build a giant bonfire. With cries to Allah, ancient Buddhist tankas writhe in the flames, their ashes dancing on parched air, dusting all present and eventually finding and connecting in a spiral dance with the particles from the mountains.

 

Some of these dust and bits find their way into my little altar bowl. I am stunned to see them here, so far from their home. I look into the dark folds of my heart for my own rigid, righteous, and destructive ways. Instead of soldiers and an angry mob, I see the Buddha laughing. He bends down and places a Camellia blossom at my feet. Perhaps more than Afghanistan will breathe the dust of the Buddha.

 

 
   

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