The
Labyrinth Guild of New England Photo Gallery
Following
The Thread Into the Labyrinth of Life
Keynote Address © Lea Goode-Harris, Ph.D.
Labyrinth Guild of New England & Regis College,
June 4, 2005
Why did Ariadne give Theseus a thread to unwind into
the labyrinth and guide his way back out? Do we really
know the way out of the labyrinth? Is it always the
same path that we took in? How can the labyrinth teach
us about living a creative life in unique ways? How
can we recognize the thread of our soul, following it
into the labyrinth of life?
These are the questions I pondered in preparing my time
with you this morning. As well as sharing with all of
you, some of my labyrinth adventures and insights, I
wanted to learn something new for myself in preparation
for our time together today.
How do we recognize the voice of our creativity, so
that we can live a creative life?
The labyrinth in its emptiness and in its complexity
holds it all, inviting us to step into discovery, inviting
us to step more fully, into life…
This space, this emptiness that at the same time is
so full, has been the cauldron, the crucible, the vessel
for my own life explorations and growth. This emptiness
has also been a place of extreme comfort and familiarity.
From the creative space, came the Santa Rosa Labyrinth,
the Snoopy Labyrinth, and all my other artistic and
scholarly endeavors.
To begin to address the questions in my talk today,
we can start with curiosity. That was the main ingredient
for the making of the Santa Rosa Labyrinth. If there
is only one thing you take away from my talk this morning,
I hope it is to have your curiosity dusted off, re-awakened,
and revitalized. And, if your curiosity is already active,
then I hope we move this morning through some paths
not yet discovered or explored. When I think back to
the moment that the inspiration for the Santa Rosa Labyrinth
came to me, it was sparked by my curiosity, welling
up from my unconscious.
What does it mean to be curious?
For me, it means to wonder and to ask as many questions
possible. I encourage you to ask questions, of others
but most of all, if you are not doing so already, ask
questions of your self.
Then notice, do the answers ring true for you? In everything
I say today, listen with curiosity and listen for what
feels true. And also, pay attention to what I say that
does not fit, or might even make you uncomfortable,
for these are all clues for discovery, about yourself,
about me, and about our time here together.
It helps if we examine our beliefs- what we believe
- or want to believe - is true. Take notice of what
you want to believe. And, take notice of what challenges
your current belief systems. These threads may very
well be the clue for where your soul is guiding you
to explore.
We might think of this time we have together as an alchemical
experiment. So, to the ingredient of curiosity, I would
now like to add our imaginations. As I prepared for
this talk, I thought about all of the visual images
I could project on to a screen for you to see and illustrate
my points. But I realized, that what I really wanted
was for us to use our imaginations. To let my words
and ideas, evoke images for you in the many different
ways available to us.
We live in a time where there is so much stimulus that
our imaginations don’t always get to do the job
they do so well, which is to speak to us in the language
of our unconscious mind. I am a very visual person,
so my images are primarily visual. But not all of us
receive images in a visual way. Some of you may receive
images through your body, kinesthetically, others may
hear extra sounds when listening to my voice through
your auditory processing, or have your olfactory senses
activated. Others of you may receive images through,
or may even have the sensation of taste. Be curious
and open to the many ways your imagination can express.
First Labyrinth Walk
When I first started thinking about curiosity in relation
to this talk, I remembered my first time of stepping
into a labyrinth. Do you remember your first step into
the labyrinth? Where were you? What were you feeling?
What do you remember about that moment? If at some point
today you were to write about it, what would that memory
look like? Would it take shape as a poem? A story? If
you were to color it? What would colors would describe
those feelings and memories? What medium would you use
to portray your foot taking that first step? Or, the
first time your finger settled into the grove of a finger
labyrinth?
The real gift of that first time is that we all had
beginners mind. You didn’t know what to expect.
There is a danger when something transformative becomes
too familiar, or Dogmatic. We loose the way of curiosity
and repeat the same patterns over and over again. And
paradoxically, as only the labyrinth can show us, we
sometimes need repetition and structure, especially
in the times we find ourselves living in. We live in
stressful times and we need a container to hold the
range of emotions and feelings and overwhelm that we
sometimes experience. And the mystery of the labyrinth
can hold all of this for us, teaching us how to hold
it ourselves.
My first experience with the labyrinth completely changed
my thinking, and marks a paradigm shift for me. It wasn’t
exactly a comforting experience. I have had many comforting
labyrinth walks since; and don’t know what I would
have done without the labyrinth at certain points in
my life. However, my first walk turned my world upside
down.
What does this mean?
How do we mark and make sacred, these upside down moments
in life? How do we integrate these experiences into
our everyday lives? The times that are dark and difficult?
And in holding on to the comfort of sameness, what happens
when we become locked into the same path over and over
again?
And does the labyrinth really show us the same path
over and over? Or is it our holding on to our belief
that it is the same path?
I have come to wonder if the path coming out of the
labyrinth, is indeed the same one I took in? Think about
what happens when you drive somewhere. It is the same
road, but the view and focus of your destination is
entirely different. Is it really the same path? I wake
up almost every morning in my house, but is it the same
day as yesterday? No. It is something entirely new.
Watch for where we become caught in labyrinth, and what
was new to us becomes dogma. Do our labyrinth walks
become a maze, where we are caught in the same pattern,
over and over again? And if we are caught are we really
missing the entrance to the labyrinth, and in doing
so, missing the entrance to the center?
Let us turn to the most well known myth of the labyrinth
to explore these questions some more…
But first, I am going to pass around this ball of string.
Take your thread and pass it on to the person sitting
next to you. This is your thread, your Ariadne’s
creative thread for your time at this conference. You
can tie the string around your wrist, use it as a bookmarker,
or anything else that comes to mind. Using the string
in this way is often a symbolic gesture that is done
to celebrate the birth of a child, or a marriage. This
string is meant to be a touchstone for you to remember
today, what you are birthing new in yourself. At some
point, you may want to use the string to tie a prayer
bundle on a bush or tree, or use it in a piece of art-work,
again commemorating your time here today.
The Myth of the Labyrinth, the Minotaur, Ariadne, &
Theseus
I was curious about the Theseus, Minotaur, and Ariadne
story from the first time I heard it. If each of you
were to come up here and tell us the version you know
of the legend, I can guarantee that there would be several,
if not many, different versions, told here! I find it
interesting that in other myths, there is usually a
core version, with little variation. But with the myth
of Ariadne, Theseus, and the Minotaur, there are many
variations. Remember… Listen for what rings true
for you!
Each version weaves a story that has meaning. Even though
you may have heard this story many times, listen to
it today as if it were the first time. I like to tell
the myth and think of the different characters as aspects
of my own personality… I also like to remember
that the principle of the feminine, or the masculine,
is not limited to gender. I believe that we each have
an Ariadne part, and a Theseus part. And yes, we have
a Minotaur part to discover as well!
You can explore the entire myth in this way. Be curious?
Wonder… who you might get to know in the story
today… What characters do you feel comfortable
with? Who do you not feel comfortable with, and why?
I wonder, who is Ariadne in me, who is Ariadne in you?
How about Theseus, or the Minotaur? What about Daedelus,
the inventor of the labyrinth, and his son Iccarus who
flew to high, or King Minos, Queen Pasiphae, mother
of the Minotaur, daughter of the Sun, wife of Minos?…
and what about the God, Poisiden?
At the time of this labyrinth myth, the bull was sacred
to the Cretans and the labyrinth was not only the lair
of the Minotaur, but the sacred Dancing grounds, of
which Ariadne was the priestess. If the bull was sacred
to the Cretans, then what did it mean to be part man
and part bull? What does it mean now?
The version of the story that I am most familiar with
starts with King Minos angering the God Poseidon, by
not paying homage as he had promised. Poseidon takes
revenge by causing Minos’s wife, Pasiphae, to
fall in love with a white bull, she eventually giving
birth to the Minotaur from this union.
Daedelus, who was originally from Athens, builds the
dancing grounds and lair for the Minotaur, known as
the labyrinth. There, the Athenenes pay homage to Crete
and King Minos by sending seven young men and seven
young women every nine years (some versions say every
year) to be sacrificed to the Minotaur. Theseus, the
son of the King of Athens, agrees to be included in
the next round of youths to be sacrificed, with the
intent of destroying the Minotaur, and freeing the youth
of Athens from this tribute. Theseus also promised,
upon his return to Athens, to replace the black sails
of his ship with white sails, signaling to his father,
his safe return.
Somewhere in the story, after Theseus arrives on Crete,
Ariadne falls in love with Theseus, and gives him the
ball of string to find his way into, and out of, the
labyrinth. For reasons we cannot know, Ariadne helps
Theseus, betrays her father, her half-brother, and her
sacred order, and leaves with him, sailing for Athens,
after he defeats the Minotaur. Some stories tell how
Theseus ties Ariadne’s thread to the lintel of
the entrance into the labyrinth, other versions say
that Ariadne holds the thread throughout the entire
journey. Regardless, in almost all the telling of the
myth, Theseus reaches the center, vanquishes the Minotaur,
finds his way back out of the labyrinth, and sails away
with Ariadne. I do however, know of one story where
Theseus and the Minotaur actually strike a deal, and
the Minotaur is still living, last heard of somewhere
in the southern United States… but that’s
another story!
As they sail towards Athens, they stop on the isle of
Nexus. There, for reasons not known, Theseus leaves
Ariadne. Here the story varies, some versions have Ariadne
dying, others have her found by the god Dionysus, who
takes Ariadne for his wife and she becomes one of the
gods, immortal.
Theseus sails on to Athens, where he forgets to raise
the white sails as he promised, signaling to his father
that he returns safely. The Athenian King, thinking
his son dead, falls from the cliffs. Theseus, bereft
of Ariadne and father, takes his place as King. And
the story sifts on down to us through the ages, where
we fill in the blanks, trying to make sense of the gaps
and spaces of the story that just don’t make sense,
that remain a mystery to us, evoking our imaginations
and our own stories...
Integrating The Story
So… how do we integrate this story into our everyday
lives? In preparing for today, I wanted to focus mainly
on Ariadne and Theseus, and some on the Minotaur. As
I began to write, I realized that I am more familiar
with Ariadne and the Minotaur, than I am with Theseus.
I discovered that I actually have a problem with Theseus.
In this myth, right now, he is really my Minotaur, my
scary unknown.
Lets first visit the Minotaur and Theseus…
This is how I interact with the characters, so that
they have personal meaning for me. Who is the Minotaur
in me? The Minotaur in you? Where am I caught between
worlds, half man, half beast, immortal in my prison?
Bellowing into the night my isolation, caught between
religions and paradigms, descendent of gods and humans,
alone in the world of men, cast from the realms of the
gods, creature of the dark…
There is no place for me, the center is my lair, and
here I will remain, throughout all time…waiting
for the moment when I am finally seen, and released,
transformed into my essence…for I am that which
I do not yet know about myself, to be me is to not know
where I belong, for my awkwardness, my not knowing where
I belong, is the path to knowing me…
Theseus… Golden haired, bronze warrior of the
sun, athlete, beloved son above all else, witty, crafty,
brave, eager for adventure and facing the unknown, challenging
and defying death. Captures the heart of Ariadne, slays
the Minotaur, finds his way in and out of the labyrinth,
escapes with Ariadne, and forgets her on an island,
sails home and forgets to raise the white flag, while
his father jumps from the cliffs with despair…
Where is Theseus in you? Where is Theseus in me? I think
about the places in my life where I become cocky, believe
I have arrived, already learned that lesson!!! Or darn
it, I’ll learn that lesson if it’s the last
thing I do, so I don’t have to learn or experience
it any more! Bring on the challenge now, for I am invincible!
Exploring Theseus in me I began to ask myself... Where
am I arrogant, so sure of myself that I leave my heart
behind? Where do I forget what is important? What do
I do with this space that is created in the loss of
my Ariadne, the loss of my father, which means I must
now step into the place of King, as I am no longer prince
of my youth? Where is there meaning in the empty glory
that rides down through time, that I slayed the Minotaur?
What good is this aloneness, this untouchableness? What
am I without the thread of Ariadne? For how do I find
my way alone through the maze of life?
In some ways, I find that Theseus and the Minotaur are
two sides of the same coin. One a warrior of the sun,
the other, a monster of the dark. They both are untouchable,
the Minotaur in his lair, Theseus in his forgetting
and aloneness. Warrior and Monster. They need each other
to exist and to move the story forward.
But the Minotaur and Theseus would not be a story without
Ariadne… Where is Ariadne in your life? Where
is Ariadne in me? What does it mean that she holds the
thread that we all need to find our way in and out of
the labyrinth? Who is Ariadne to us? And what does Ariadne’s
thread represent for us? Why did she seemingly betray
her father and her half brother? I do not believe she
was a fairytale princess, but a woman wise and knowing
in the initiate ways of her religion.
Priestess of the labyrinth, weaver of connections, the
feminine, the intuitive part of me that moves through
time, able to move in and out of the labyrinth with
ease…Ariadne, who shows the masculine warrior
the way in, and the way out of the initiatory maze of
the labyrinth. I, Ariadne, speak in the language of
images, the unconscious is my world. To speak in the
world of men, I need the masculine to carry my message
forward, carry my person out of the dark realms and
secrets of the labyrinthine corridors that I know so
well, the mystery of the labyrinth, are brought out
into the light of the world, carried on the sword of
Theseus, following my string into the light of day…
What does it mean to follow this thread of Ariadne into
life?
To further explore Ariadne’s thread, I would like
to invite you to take a labyrinth journey with me, in
the vehicle of your imagination. Make yourself comfortable.
You might want to place anything you are holding, with
the exception of your red thread, for you are going
to need this thread for this journey, everything else
place beneath your chair…
Following the Thread
Guided Visualization © 2005 Lea Goode-Harris, Ph.D.
Taking a moment right now to settle into your chair,
feel the floor beneath your feet. Begin to pay attention
to your breath and the gentle rising and falling of
your chest. Notice the beating of your heart as you
become more aware of your breath and the rising and
falling of your chest. Feel comfortable letting your
eyelids grow heavy and you can listen to my voice as
we take this journey together…breathing in, breathing
out…no matter where you go, my voice will go with
you. Open your eyes anytime you want, and close them
again when you are ready, like right now, just let your
eyes gently close as we journey here together…
Find yourself standing at the entrance of a labyrinth,
your labyrinth. You look around and notice the time
of the day, it might be morning, it might be afternoon,
it might be the evening, but it is your time…
all the time you need to explore the winding paths of
your labyrinth…Your intellect is also invited
to walk the twists and turns of the labyrinth as far
as it wants to go, or can sit at the side and watch
and think and do all the things it does so well…
or settle into even more of a comfortable position and
read a book… or even take a nap… while your
unconscious mind journeys into the labyrinth…
for you have all the time in the world to discover now
what ever is most important…
As you gaze around, sense that you are alone with yourself…
feel safe and aware that this is a place just to be…it
is good to feel safe and to have the space to be…take
a moment to be with yourself and breath in this sense
of space… take the time… all the time to
fill your lungs with the delicious sense of time to
be with yourself, alone…body relaxes… as
hands begin to open…In the opening feel a presence
come near you… as if a dear and beloved friend
is joining you… Could it be Ariadne, placing a
string into your opening hand?…
Feel the string in your hand… you may sense a
pulsing…or a vibration…or it may feel light
as air…take a moment to breath in the confidence
and security and absolute safety that comes from connecting
with the source of all that is…
Feeling the thread, feel the gentle pull to step into
the labyrinth. Ask a question as you enter the labyrinth…
the form of the asking may be an image… or it
may be in words…you know the question…something
your soul is longing to know…As your spirit moves
with the spirit of the labyrinth, let the path enfold
you, a comforting feeling to be held with so much room
to move and discover…moving into the twists and
turns of the labyrinth let your question walk with you…allowing
the path to carry you both towards the center…
I wonder what the answer to your question might be,
just as you wonder where the meandering path might go,
where it might take you… It is safe and comfortable
to move into the familiar unknown…Hold this awareness
of the unknown with curiosity and remembrance as you
move to the right… to the left and to the right
again…you can even bring your awareness back to
this room as you make a turn away from the center of
the labyrinth. Notice yourself sitting here… feet
on the floor…string in your hand… and take
a moment to send a blessing to your body for bringing
you here so faithfully…breathing comfortably as
you move in and out of the labyrinth…that’s
right…breathing in… breathing out…and
with your next breath you turn to the right and move
right back into the labyrinth for when you turn to the
right what is left is left and when turning left what
is left is right…that’s right… you
know the right way… the right turn and the left
turn… sometimes you move with curves, sometimes
with a straight path, but with each turn to the left
or the right…you know the way…deeper and
deeper, into the labyrinth…the way unfolds before
you…coming around to your path into the labyrinth…
moving along to the right and to the left, and then
right again…right to the center of your labyrinth.
Step into the center of the labyrinth, taking a moment
to sense that you have never ever left this center place…it
is your center and is with you always. Invite your whole
self to join with the spirit of the labyrinth at your
center place. Notice the image that emerges when you
join with the spirit of the labyrinth…the answer
to the longing of your question, coming from the source
of all life… don’t try to understand it
now…just notice your image with all of your senses…what
it looks like…smells like… what it feels
like…sounds like…even tastes like…wonder
about your image, unfolding before you at the center
place, and discover your own answer, right now, right
here at the center of the labyrinth…at the center
of your labyrinth…
Take a moment to be with your discovery feeling peace
and a sense of belonging…and the ability to commune
with the labyrinth in all the ways that are available,
through all of your senses…through your body…let
this knowing… this peace and belonging fill your
heart, opening to the labyrinth like a beautiful flower
opens to the morning sun or the soft glow of a moonlit
night…here in the center place is the moment to
feel the essence of life pulsing in you…
With this pulsing…time arrives to leave this labyrinth
walk… thank the spirit of the labyrinth for joining
you at the center. You can leave the labyrinth in your
own fashion, following the path back out, or taking
a direct exit. It might be the first time you have ever
taken a direct exit. It might be the first time…
in a long time…that you take the winding path
back out. But the wonderful thing you realize right
in this moment, is that you know the way out of the
labyrinth. Give yourself the time to savor this knowledge…
take the time to notice as you return, how the path
is different, even though it is the same path that you
took into the labyrinth, or if it is a direct exit,
how it looks as you leave the labyrinth, knowing that
there are always options open to you, no matter where
you find yourself in the labyrinth, knowledge that you
know the way back, for you hold the string of discovery
and remembering in the essence of your being…for
in this place there is all the time you need to find
your way back…for the labyrinth you have made
today… is your own story…and the thread
is your remembering the way back and the essence of
who you really are… for you are the thread and
your story is the labyrinth, ready for discovery any
time you choose…
As you exit the labyrinth greet your intellect and together
turn around and give thanks for your journey…
take a moment to remember the images you bring with
you... as your intellect joins with your unconscious
mind you can remember what ever is most important and
your images will become more meaningful… The string
in your hand will help to remind you of this experience.
Notice through all of your senses your connection to
the world within you and the world around you. Notice
how you feel refreshed…invigorated as you leave
the labyrinth… give thanks for the images and
awareness you bring with you…with all of your
being take notice of the people around you, fellow travelers,
now, and the sound of my voice, bringing your full awareness
back to this room, this conference, the chair beneath
you, feeling your feet resting on the floor. And now,
bring your awareness all the way back, and open your
eyes when you are ready…
*****
Welcome back from your journey. You may want to take
some time today to write about your experience, or express
it in some way in the workshops you take part in throughout
the rest of the day. Use your red string as a touchstone
to help you remember.
As we move towards the end of our time here, we can
continue to integrate what you just discovered on your
labyrinth journey into the final themes of today’s
talk.
What did you discover today? Was there something new
for you? What was your labyrinth like? Was it a familiar
labyrinth, or a labyrinth you have never before traveled?
Did it look like a labyrinth, or did it look like a
maze? All of our labyrinths are above ground. We don’t
need a string. We trust the path. The labyrinths we
all walk are a gift in these times that we live in.
I have long wondered about the labyrinth that Theseus
entered. If it were a labyrinth like we know, why did
he need Ariadne’s thread to find his way back
out?
What does Ariadne’s thread mean? Who holds the
thread in the story? Is it Ariadne?, or does Theseus,
tie it to the lintel into the labyrinth? If on the lintel,
or doorway, this suggest entering a building or structure.
Is this labyrinth above or below ground? If below ground,
what does that mean?
I believe he needed a string because the labyrinth he
entered was really a maze. He needed Ariadne’s
thread to find the way out. Theseus also might have
needed the sting to find the way in, for if he were
walking a maze, he would not know the way to the center…
I believe that one of the gifts of the labyrinth, is
to teach us how to navigate the mazes we encounter in
life. It is our remembering our story, the thread of
where we have been, that the path through life is revealed.
We always talk about the thread helping Theseus to find
the way out, but I never hear anyone talk about the
thread helping the walker to find the way in, Patrick
Conte does. In his book the genesis and geometry of
the labyrinth, he talks about the string having memory.
He says that it is in the unraveling of the ball of
string that shows Theseus the way in to the labyrinth.
I find his theories and pictures to be fascinating.
What I also found fascinating is that as much as Conte
is knowledgeable about the labyrinth, he does not recognize
the Labyrinth movement. He writes it off as new age
fluff. Conte even disses Sig Lonegren in his work, which
is in a roundabout way, a complement, as Sig is the
only labyrinth expert in the labyrinth movement that
he recognizes. With this omission, we can see the split.
Left brain-right brain. Masculine-Feminine, and the
lists of opposites that shake our world today become
more evident. The labyrinth seems to be all about opposites,
even in the myths, and I believe this is one of the
areas that we have yet to make many more discoveries.
So when we come up against such disparities, what do
we do? It is so easy to take sides, which is at the
root of much of the conflict we see in the world today.
No tolerance for another’s opinion or view of
life. Does walking into the labyrinth translate into
no tolerance for the person who is walking out of the
labyrinth? Their view of the world may be very different
than the view of us walking into the labyrinth! I believe
that the labyrinth does not rid us of opposites, but
provides us with a container to hold the tension of
opposites. It is through the tension that we find a
new way in and out of the labyrinth.
I found as I prepared for this talk, that I was literally
walking through a maze. Everywhere I moved there were
dead-ends and false starts, obstacles thrown my way,
like my computer crashing with my talk not backed up,
even though I knew better, aging parents that need a
different type of attention than they did just a few
months before, and the every day ins and outs of living.
What I found was that I had to let go of my agenda and
move with what is. That is extremely hard for me, especially
when I know what I want.
It was only when I slowed down, let myself move into
a meditative space, and allowed for the space where
I could listen for, and hear, my creative voice that
I began to sense the thread of Ariadne, leading me through
my maze, creating my own labyrinth as I found the way
to the center.
What I found in following Ariadne’s creative thread
for this endeavor was that I needed the aspects of Theseus
to bring forward the elements of transformation that
I believe the Minotaur represents in parts of this talk.
I needed to face my own fears, my clumsiness, and my
personal struggle to bring words to what I intuitively
know.
I wondered as I typed the words for this paper, did
my Theseus kill my Minotaur in this process? I don’t
believe so! For they both feel quite alive in me, and
I am aware of the tensions that they represent as well
as the unknown aspects of myself yet to be discovered.
I needed Theseus to assist me in bringing my words forward.
What this has taught me, is to look for the mazes in
our lives that we are possibly avoiding. Where we become
caught in walking the same labyrinth over and over again?
And in the ease and comfort, ignore the mazes that we
yet need to explore? Where is my Minotaur hidden? Where
is your Minotaur hidden? What does it mean to slay the
Minotaur? Does it mean that he is dead, or does it mean
he is transformed? What could this transformation mean
for you? For me?
As I prepared for this talk, actually only six days
ago, I found something new that has relevance to my
own life. It has to do with one of the versions of the
union of Ariadne and Dionysus, after Theseus leaves
her. And, it has to do with my childhood and my early
years of adulthood. I grew up in the vineyards of California,
growing wine grapes. I have sensed that there might
be a connection between wine making and the labyrinth
for they both deal with alchemy and transformation.
According to some legends, Ariadne and Dionysus had
three sons. Their first-born was Oenopion (which means
wine-face), and it was Oenopion who brought the art
of winemaking to mankind. This is new information for
me, and something I will need to explore. I am so excited
to make this discovery, so thank you! If it hadn’t
been for this talk…this might not have been a
discovery for me. This information and its relevance
to my life, is a gift that I take with me.
Where do we take our gifts found in the labyrinth and
expand them into our every day lives? Where do we forget
our gifts? And maybe more important, what makes us forget
our gifts? Where can we witness with more compassion
each other? And, again, where does our Minotaur dwell?
How much tolerance do we have for each other’s
Minotaurs? How can we use what we learn in the labyrinth
to enhance our quality of living and our responsiveness
to each other?
By traversing our own stories and following the thread
of our remembering, tapping into our creativity, we
bring forth our gifts, out of the maze of our labyrinth.
We follow the thread into the labyrinth of life.
I would like to end with a poem and a blessing…
One step,
one simple step
forward
and the path unfolds,
unknown…
I become the thread
winding, twisting, searching…
I am Theseus,
blade drawn,
muscles straining,
stalking the centre lair
where transformation awaits…
I am Minotaur,
bellowing into the lonely night
lost between worlds,
the meeting of earth and sky,
man and beast waiting…
I am Ariadne,
weaving, spinning, heart yearning,
story lost in the centuries,
captured in stone
lining shore and hill,
deep within cathedral spires,
spinning across paper with compass poised…
I become
that moment
when time stops
and the world begins anew,
born from the path beneath my feet,
taken with that first step…
And, as we step into the rest of our day together,
I ask… the Creative Spirit of All life
to bless this gathering of people,
bless the work and play and community we share.
May our joy, our sorrows, our humanity, and our humble
gratitude
be a gift back to life, to ourselves and each other,
and to all that we hold dear.
Thank you.